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Fabienne Gonzalez

Actress, director, author

+33 6 13 05 82 79



After her master ‘s degree in chinese, she got a scholarship to study in Taiwan the basics of Chinese Opera for 2 years.
Back in France, simultaneously with the job of guide-translator in chinese, she trained in aïkido and several dances. In 1996, she experienced theater-clown and decided to specialize in studying this discipline with Michel Dallaire and Philippe Gaulier. .
From this time, she performed eccentric characters in danse shows (The perceptions dance, “Alors, heureuse?”, Por passeo, “Approaches of Aladin-Dance Company, director Cécile Proust / Jardins Contigus of KMK Company), in street-theater shows (L’axolotl of Métalu A chahuter Company / Get over it directed by Ron Bunzl)

In 2004, she created a clown solo, Olga, dispositif femme that she performed regularly until 2011 (Sautteville Les Rouens, Chalon, Aurillac festivals, Samovar, Chaudron, Coteau, Darius Milhaud, Bligny and Daïkiling Theater in France, L’Aquilone Theater in Belgium …).

Since 2005, she teaches clown and stages performances in China (Shanghai Theatre Academy, Shida University of Shanghai, Modern Drama Arts Center of Canton, Performing Arts Academy of Hong Kong …) and Taiwan (National Taiwan University of Arts).

In 2008, as part of the Crossroads Festival (China), she directs in Shanghai a French-Chinese clown cabaret, Gao bizi dui xiao bizi in which she also performs (tour in Shanghai, Beijing and Wuhan).

In 2011, on Daïkiling Theater’s invitation, she performed in a women’s collective clown cabaret : Girls, girls, girls.
She worked as a staging assistant on the creation of a multi media show Mangrove Groove in Shenzhen (China, production Eca2).

In 2012, she created Clowns collection at Shanghai Theatre Academy (performed at Shanghai Grand Theater).
She joined in several research workshops run by Jean-Louis Martinelli and Joel Pommerat. Her immersion in these new theater worlds, on the sidelines of clown, moves her actress work towards other theatrical game registers.

In 2013, in collaboration with Arnaud Aymard, she created her fourth show with the actors of the Shanghai Theatre Academy : a clown adaptation of The White Snake Legend, performed at the Academy Theatre.
In 2014, she created Minotaurus for Bar le Duc Rebirth Festival, a street show in which she also performs.

In 2015, she worked as a staging assistant on the creation of a new multi media show in China (production ACE2), The fountain of dreams (Wuyishan)
She joined a theater / performance workshop based on the Tarot of Marseille (run by Stéphanie Lupo)

In 2016, she works for Théâtre à la Carte (theater applied to business companies) and runs theater workshops based on the Tarot of Marseille in Meaux Chauconin Penitentiary

For several years, she regularly practices yoga, taiji and different dances (5 rhythms dance, forro, contemporary dance)


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